ADVERTISING

England and Wales Cricket Board

The Hundred Season Six

Agency: ELVIS

Description

The England and Wales Cricket Board (ECB) today launches the sixth season of The Hundred, following its most successful year yet for ticket sales, with a new campaign designed to bring more people than ever to the tournament; in the stadium and on TV.

The campaign positions The Hundred as unmissable viewing for the whole family, with every match framed as an episode in "the most dramatic show on TV."
Season Six launches into one of the most competitive sporting summers The Hundred has faced, alongside major international cricket and football. With awareness established, attendances growing and and private investment secured, the campaign builds on that momentum by bringing the drama and rivalry of every fixture to life for audiences at home, growing television audiences across BBC and Sky Sports, alongside continued strong attendance, with a particular focus on sporty families and women interested in sport.
The campaign is built around the behaviours that make people choose live television: shared viewing, unfolding rivalries, fear of missing out and the excitement of watching events happen in real time.
It extends The Hundred’s long-term positioning as an entertainment brand that is cricket - bringing the storytelling language of television to the tension, talking points and shareable moments that are already built into every fixture.
The hero execution is a 30" TVC (with 15” and 6" cut-downs), shot in the style of a reality TV trailer. Players visit “The Hundred Diary Room” to deliver knowing confessional-style soundbites, echoing the conventions of hit reality shows. Each Diary Room moment builds the reality TV language further, teeing up the next burst of action. The film closes on fireworks and explosive match highlights, alongside The Hundred; enduring brand platform: Every. Ball. Counts.
The campaign represents the latest evolution of The Hundred’s long-term brand strategy. Each season has adapted its creative expression to support a different stage of the tournament’s growth, while remaining anchored in the belief that The Hundred should behave like a leading entertainment brand rather than simply be marketed like a sports tournament.
"This is about meeting people where they already are - be it at home, or at the game - and bringing them even closer to the action. We've built an incredible tournament with exceptional entertainment, brilliant athletes and genuine rivalries; this campaign is about making sure people know that watching from home is just as much a part of The Hundred experience as being there in person."
Cordelia Brown, Marketing Director, ECB

"After five years of building The Hundred into one of Britain's most exciting new sports properties, the role of marketing has evolved. Rather than only persuading people to come to the ground, we needed to persuade them to choose The Hundred, every single day of the tournament. So we borrowed the storytelling codes of the television shows that already win that battle for attention. Cricket already has the drama. This campaign simply reframes it in a language new audiences instinctively understand." Matt Rhodes, Chief Strategy Officer, ELVIS

The work features leading men's and women's cricketing talent from across The Hundred's eight teams, with voiceover from reality TV favourite Dani Dyer.

This professional campaign titled 'The Hundred Season Six' was published in United Kingdom in July, 2026. It was created for the brand: England and Wales Cricket Board, by ad agency: ELVIS. This Film and Integrated media campaign is related to the Sports industry and contains 3 media assets. It was submitted 17 minutes ago.

Credits

Campaign: The Hundred Season Six

Client: English and Wales Cricket Board - The Hundred
Senior Brand Manager: Marina Barros
Marketing Director: Cordelia Brown

Lead Creative Agency: ELVIS
Chief Strategy Officer: Matt Rhodes
Strategy Director: Isaac Blackbourne
Business Director: Nick Cooper
Senior Account Manager: Grace Baron
Executive Producer: Laura Melville
Producer: Penny McNally
Creative Director: Steve Hawthorne
Creative: Caitlin Chakraborty
Creative: Indi Morland
Design Director: Marina Suprunova
Motion Designer: Rhys Clarke

Production: Armoury
Director: Will Innes-Smith
EP: Matt Hichens
Producer: Nick Papworth
Production Manager: Lisa Lake
Production Assistant: Matt Papworth
1st AD: John Robinson
2nd AD: Oli Waters
Runner: Charlie Morris
Runner: Jim Onyemenam
Runner: Oliver John
DOP: Thomas Hole
Steadicam: Matt Allsop
Operator: Linda Wu
Focus Puller: Alasdair Baines
Focus Puller: Laura Booth
2nd AC: Mahalia John
2nd AC: Max Gammer
Camera Car Driver: Gary Smith
VFX Supervisor: Creative Outpost
Key Grip: Josh Bull
Dir Grip Trainee: Max Jackson
DIT: Mike Mcduffie
Dir Video Playback: Iman Ahmed
Sound: Gareth John
Boom Op: Tom Harrison
Gaffer: Sion Hopkins
Desk Op: Charlie Stallard Smith
Spark: Charlie Paddock
Spark: Josh Barry
Spark: Frank Massingham
Spark: Bailey Langford
Spark: Liam Richard Perry
Spark: Matthew Simmons
Spark: Jay Stevens
Rigger: Michael Greenhalgh
Rigger: Karandeep Mudhar
Lighting Truck: Michael Dasseville
Lighting Truck: Jordan Godfrey
Lighting Truck: Ezra Mcneish
Production Designer: Charlie Hippisley
Props Master: Alfie Sowden
Prop Man: Declan Kenny
Prop Buyer: Zoe Gibb
Props Transport: Zac Martin
Construction: Callum Andrews
Luton Driver: Terry Rowles
Hair & Make Up Artist: Michele Bayliss
Hair & Make Up Assistant: Victoria Reynolds
Wardrobe Stylist: Tom Lipop
Wardrobe Stylist: Emma Lipop
Wardrobe Stylist Assistant: Anna Pereira
Location Manager: Claire Tovey
Medic: Karl Omar

Post Production: Creative Outpost
Executive Producer: Caroline McNulty
Producer: Ian Harland
Colourist: Jack Caswell
Colour Assist: Zoe Francis
VFX Lead: Tim Davies
VFX: Taylor Vaux-Nobes
Sound Design: Tom Lane
Music Composition: Luke Isom
Sound Transfer: Eoin O'Hagan

Media Agency: Threepipe Reply

ADVERTISING

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