Description
Australia is facing a mounting e-waste problem. Our e-waste production is already triple the global average and projections indicate that by 2030, we'll be producing 657,000 tonnes of e-waste every year1. That's roughly the weight of 12 Sydney Harbour Bridges2 or 19,000 Melbourne trams3.
While those numbers are vast, the problem is deeply personal. Australians hold onto an average of three unused devices each - around 65 million devices sitting idle in homes across the country4.
So, to inspire the nation to give their old devices a second life, we've partnered with ARIA-award winning electronic duo The Avalanches, globally renowned for their sample-driven sound, repurposing fragments of vintage records, tapes and found audio into innovative, intricately layered compositions that have defined their distinctive place in contemporary electronic music and pop culture.
The Avalanches have helped us create a brand-new, fully functioning synthesiser, made up of over 80% repurposed components from e-waste, such as mobile phones, gaming consoles and old electronic cables.
"We wanted to show that e-waste can be repurposed into something that people can relate to universally. Through music, we have tried to demonstrate the amazing link between sustainability and creativity."
Robbie Chater, The Avalanches
The initiative, Second Life Sounds, marks a new ambition for Telstra, all centred around one goal - to re-use, recycle, repair, or donate one smart device for every two devices sold, by 2030 and symbolises the enormous, untapped potential that e-waste has to be repurposed for different uses.
What is e-waste and why is it a problem you say?
E-waste, or electronic waste, is basically all the old electronics we don't use anymore, like broken phones, tablets, modems and chargers. Instead of tossing them in the trash, they need special recycling because they're full of stuff that can harm the environment, but they also contain valuable materials we can reuse.
Addressing the 20 kg elephant in the room
According to the Australian Government's Department of Climate Change, Energy, the Environment and Water (DCCEEW), each Australian produces around 20 kg of e-waste every year – compared with the global average of just 7 kg per person, the scale of Australia's e-waste problem is hard to ignore.
Sadly, much of our e-waste is sitting forgotten in drawers, cupboards or garages, or worse, thrown away incorrectly. In many homes, these devices haven't just been set aside recently: 4.9 million Australians say their oldest unused device is more than 10 years old5.
Part of the reason e-waste builds up isn't practical - it's human. Nearly three in ten Australians (29%) keep unused electronics "just in case", while a similar number (27%) hang onto devices for sentimental reasons or the memories attached to them, meaning old tech often lingers long after it has stopped being useful6.
This professional campaign titled ' Second Life Sounds' was published in Australia in February, 2026. It was created for the brands: Telstra and The Avalanches, by ad agencies: +61 and Bear Meets Eagle On Fire. This Audio, Film, and Integrated media campaign is related to the Electronics, Technology and Public Interest industries and contains 1 media asset. It was submitted 6 minutes ago.
Credits
Creative Agency: +61 with Bear Meets Eagle on Fire
Media Agency: OMD Australia
PR & Communications agency: Herd MSL
Client: Telstra
Chief Marketing Officer: Brent Smart
Head of Brand and Communications: Alita McMenamin
Brand and Sponsorship Lead: Nicola Reeves
Marketing Specialist: Rosalind Lewis
Internal & External Communications: Telstra Comms team
Production Company: Revolver
Performance film Director: Matt Devine
Project & Design film Director: Scott Stirling
Synth Build & Design: Scott Stirling & Hugh Burridge
Performance film DOP: Stefan Duscio
Design film DOP: Tommy Thoms
MD/Co-Owner: Michael Ritchie
Executive Producer/ Partner: Pip Smart
Producer: Lily Warland
Snr Producer (Post): Alex Kember
Performance film Production designer: Sam Lukins
Design film 1st AC: Jesse Phillips
Design film Build Support: Michael Bennett
Design film CAD Drafter: Jonathan Tran
Design film Graphic Design Assistant: Madeleine-Eve Pattison
Design film Production Design: Scott Stirling + Sam Lukins
Design film Props Assistant: Bridget Shapter
Post-Production
Performance film Editor: Luke Crethar
Performance film Colourist: Ben Eagleton
Design film Editor, Colourist, VFX Compositor: Scott Stirling
3D Artist: Leslie Sharpe
Retoucher: Colour Cartel/Elise Healy
Additional Editor: Kent Hau
Additional Motion Designer: Emily Cheung
Sound: Sonar Music
Synth Compositions: The Avalanches (Robbie Chater, Tony Di Blasio)
Executive Producers: Sophie Haydon, Haylee Poppi
Sound Engineer: Josh Dives