ADVERTISING

Women's Aid

The Ignored Emergency

Agency: House 337

Description

Creative company House 337 and the charity Women’s Aid are launching The Ignored Emergency campaign to raise awareness of the deadly prevalence of domestic abuse in the UK. Through a multi-channel approach spanning online, digital out-of-home (DOOH), radio, social media, press, and influencers, the campaign is designed to evoke the style of traditional safety films and public service announcements. This familiar format draws audiences in, leading them to think they understand the message—only for the real focus to emerge, reframing domestic abuse as a critical public emergency. The campaign aims to raise funds for Women’s Aid's life-saving services.

Sarah Hill, Chair of Women’s Aid, highlighted the urgent need for resources: “Even when their lives are at risk, financial barriers make it impossible for many women to escape abuse. It can cost over £50,000 for a woman to leave an abusive relationship safely. We recently estimated that at least £516 million is needed to ensure that all women and children have access to specialist domestic abuse services.” She emphasised, “Domestic abuse must be recognised as an emergency, which is why we’ve repurposed the familiar format of a public safety campaign to spotlight the horrifying statistics: women are more unsafe with a partner than unbuckled in a car or sitting in a smoke-filled room.”

The campaign includes two central films: Fire Safety and Car Safety, directed by award-winning filmmaker Emma Branderhorst, known for her work on social issues. Each film begins with a classic safety scenario, offering a sense of familiarity and reassurance. But as the scenes shift, they reveal a domestic abuse context, underscoring the unseen and urgent nature of the issue. This sharp contrast between the expected and the unexpected highlights how domestic abuse remains hidden, even as it poses a constant threat. The films also share emergency instructions, like the use of the "silent solution" where dialling 999 and pressing 55 allows callers to signal for police help without speaking.

Branderhorst, whose work often addresses social themes from a female perspective, remarked, “Partnering with Women’s Aid, we’ve created films that confront the harsh truth: women in our society are still not safe. Through scenes of a burning house or a car accident, we immerse viewers in a universally recognisable emergency—only to reveal that these women live in a constant state of emergency, yet help never arrives. I hope to contribute to a world where domestic violence is no longer tolerated.”

Launching on November 12, the campaign will appear online, on social media, DOOH, and radio, with support from influencers. Key digital OOH partners Clear Channel and Ocean Outdoor will display the campaign in major UK cities, including London, Birmingham, Nottingham, Glasgow, Dundee, Southampton, and Manchester. Lucy Freedman, Chief Growth Officer at House 337, emphasised the campaign's call to action: “We want people to take an active role in supporting their friends, family, neighbours, and communities. Without donations, Women’s Aid cannot continue being the vital emergency service it is for so many women.”

This professional campaign titled 'The Ignored Emergency' was published in United Kingdom in November, 2024. It was created for the brand: Women's Aid, by ad agency: House 337. This Film medium campaign is related to the Public Interest industry and contains 2 media assets. It was submitted 5 months ago.

Credits

Women’s Aid
Teresa Parker - Head of Media, Brand & Relationships
Katrina Kelly - Communications Manager
Abbie Carr – Senior Communications Officer
Sophie Ward - Senior Media Relations Officer

House 337
Lucy Freedman - Chief Growth Officer
Kat Thompson - Dep. Head of Account Mgt
Marianne Roberts - Senior Account Director
Siena Singh - Account Manager

Josh Green - Chief Creative Officer
Chris Ringsell - Creative Director
Louise Canham – Associate Creative Director
Holly Fallows – Senior Creative
Charlotte Watmough – Senior Creative
Indi Morland - Creative
Caitlin Chakraborty - Creative
Marina Supernova – Senior Designer

Roz Hurst – Strategy Director
Kathryn Loosley – Senior Strategist
Abbey Gaunt - Senior Strategist

Laura Melville - Senior Producer
Chelsea Chapman – Project Director
Bradley Morey – Editor

The Corner Shop
Emma Branderhorst – Director
Myrthe Mosterman - DOP
Anna Hashmi - Executive Producer & FounderP& /Founder
Tess Mitchell - Executive Producer
Anastasia Liasi – Producer
Michelle Sotheren - Production Designer
Will Buckley - Location Manager
Emma Dunsire - HMU
Felicity Gray - Wardrobe
Kharmel Cochrane Casting- Casting

Work Editorial
Louise Robinson - Editor
Miles Watson - Assist
Lola Cookman - Producer

No.8
Matt Turner - Colour
Sam Robson & George Castle - Sound
Leanne Pletersky - Flame
Ciara Roche - Producer
Ollie Ireland - Executive Producer

MHP
Lesley Reddihough – Director
Emma Baxter – Account Director
Lulu Pearson – Senior Account Manager
Phoebe Wightwick – Account Manager
Amy Brill - Account Executive

Mischief
Doug McPherson – Associate Director
Kitt Smith - Associate Director
Hannah Black - Account Manager

ADVERTISING

Sign up for our newsletter

Don't miss out. Receive our free weekly newsletter to learn about the best creative work from all around the globe. We're keeping your email safe and confidential.